Showing Tag: "ma writing" (Show all posts)

What did an MA in writing do for you? Part 2

Posted by Yvonne Barlow on Friday, June 12, 2015,
There have been a few comments on my previous blog 'What did an MA in writing do for you?' And I hope to post some of the responses next week.
In the meantime, I've had a few more thoughts. Mainly, they concern dismal plot devices that I might have forgiven before I earned my MA, now they can prompt me to toss the book aside.
1. Dreams - a boring way to provide a character's fears or hopes. I did this in my dissertation MA and shouldn't be surprised that it didn't make publication.
2. Telling us...
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To MA or Not To MA?

Posted by Yvonne Barlow on Tuesday, April 7, 2015,

Guest blog by Vicky Delderfield. Her novel Effects and Belongings will be out later this year.

I remember the precise moment, driving out to lunch with my in-laws, when I first floated the idea of doing an MA in Creative Writing. Yes, I told them, it would involve quitting my job as a Marketing Manager, relying on Mark’s, my husband’s income, and making sacrifices as we saved up the hefty tuition fees. Er, no, I admitted, the MA was no guarantee of publication. But it was a sign of my seri...


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Hookline's times - they are a'changing

Posted by Yvonne Barlow on Thursday, October 9, 2014,

Publishing is evolving. When Hookline began, we were on the front line of changes. Lately we have felt as though we are standing still. We love the Hookline process of letting readers find manuscripts worthy of publication. However, it is time to speed up the process – over the years, we have lost out as good writers were snapped up by other publishing houses during our lengthy ten-month, two-stage selection process.

The first thing is to assure you all that book groups will remain an inte...


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Hookline - bringing together new writers and good readers

Posted by Yvonne Barlow on Tuesday, January 29, 2013,
Many years ago, a new writer sent their manuscript to a publisher, and they would hear a 'yes', 'no' or 'maybe'.
Today, new writers send their manuscripts to publishers, and they are likely receive a postcard telling them to get an agent. Many agents now act like editors, helping their writers through rewrites. In turn, publishers turn to agents they trust - and agents stick to writers who have earned their royalties, or are writing in a fashion that is likely to earn good royalties (hence the...
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Yvonne Barlow Editor at Hookline Books - where book clubs and readers choose the novels that go to print.

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